The England Connection - Part 2
By Linda J. Morris
It seemed like a good idea at the time, a natural thing for any journalist to do: Take an international story, recognize the local connection, and share the good news with readers. And so it was, in the days before Christmas 2000, on Christmas-issue deadline, in the office of Dirty Linen, Folk and World Music magazine. I happened across a recording in the "please review" pile. My job that night was to type each CD into the data base. A huge job. The office received upwards of 200 CDs a week, many more before the holidays. Only a fraction of the disks ever were reviewed. One lone recording from the UK could easily have been overlooked - except for the fact that its title made me stop: English Village Carols [Smithsonian Folkways, compiled and produced by Dr. Ian Russell].
I began to skim the 28-page notes by Dr. Russell; clearly this was a labor of love. He had compiled 71 minutes of caroling in and around Sheffield - in homes, pubs, streets, and at their Christmas Festival. Some of the titles rang out, "Hark, Hark" and "Awake, Arise Good Christians" ... I got to page 3, and was stunned. "It used to be the custom," Dr. Russell wrote, "of several villages to sing through the night ... Typically, a group would commence their tour at the stroke of midnight on Christmas Eve with "Old Christians" (Christians Awake Salute this Happy Morn ...) and conclude many hours later with a rendition of the Doxology ..."
One advantage to spending a night typing from an endless pile of CDs is that you get first dibs on which CDs you want to review. Interrupting my publisher, Paul Hartman, who was deep into page mapping, I said, "Paul, I think I know something about this one." I told him about the Glen Rock Carolers, and how similar the music and traditions appeared. "So, can I write about them for this issue?"
Not the best timing. Press time was closing in, the pages were mapped. But, after consultation with the managing editor, his wife Sue, he finally said, "OK, 1500 words." Deadline? Yesterday.
I couldn‘t wait to share what I had found with the carolers I knew. I called the late Don Swartz. To say the recording sparked an interest would be a serious understatement. I also contacted Ed Bailey, whose web site appeared in my story. The article and review, appeared in issue #91, as did Ed‘s web URL. I sent the CD to him and Don, suggesting they circulate it among the members. My note simply said, "I hope you all enjoy this CD."
Circulate it did. Ed said it created a bit of frenzy. Who could have guessed what would happen next? Across the "pond," a subscriber, David Eyre, reacted in much the same way, exclaiming to his friends, "I found someone who‘s doing what we are doing!" He wrote to Ed via email, and eventually to me. History was shared, trips were planned, a friendship was forged, and the Glen Rock Carolers finally, November 28, 2002, in Micklehurst, England, received their "Welcome Home."
In one of David‘s emails he claimed, "I hold us both responsible ..." I wonder. That Christmas, only 15 holiday recordings made it to the pages. With a full-time job elsewhere, I wasn‘t usually at the office, but the volume of CDs prompted me to help out that week. Furthermore, publishers on deadline seldom entertain the whims of reporters who want to add copy to an already packed issue. But with a wealth of experience and appreciation of traditional music, these publishers recognized the value of the Glen Rock Carolers and their links to the old world.
So, as we like to say in the news biz: If you want to blame somebody for the events that ensued - please, blame my editors.
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